EE-Learning
Rothko, No. 210/No. 211 (Orange)
Catogry:
Arts & Humanities
Subject:
Art History
Course:
Modernisms 1900-1980
Lecture List
Hesse, Untitled
Hesse, Untitled
Breuer, The Whitney Museum of American Art (now The Met Breuer)
Mies van der Rohe, Seagram Building
Gordon Bunshaft, Lever House
Frank Lloyd Wright, Solomon R. Guggenheim Museum
Glass Chair at the 1939 New York World's Fair
A Landmark Decision: Penn Station, Grand Central, and the architectural heritage of NYC
James Turrell, Skyscape, The Way of Color
Maya Lin, Vietnam Veterans Memorial
Richard Serra, "Band," 2006
Richard Serra, "Torqued Ellipse IV"
Richard Serra, "Intersection II"
Dorothea Rockburne: Drawing Which Makes Itself
Robert Smithson, Spiral Jetty
The Case for Land Art
Robert Morris: Bodyspacemotionthings at Tate Modern
Donald Judd, Untitled
The Case for Minimalism
Lichtenstein, Rouen Cathedral Set V
James Rosenquist, "F-111," 1964-65
Oldenburg, Floor Cake
Warhol, Gold Marilyn Monroe
The Case For Andy Warhol
Why is this art? Andy Warhol, Campbell's Soup Cans
Warhol, Coca-Cola [3]
Ruth Asawa, Untitled
Benny Andrews, Flag Day
Gordon Parks, Off on My Own (Harlem, New York)
Helen Frankenthaler, Mountains and Sea
The Painting Techniques of Ad Reinhardt
Ad Reinhardt
Ad Reinhardt, Abstract Painting
Ed Kienholz and Nancy Reddin Kienholz Useful Art #5: The Western Hotel, 1992
Robert Rauschenberg, Bed
Jasper Johns, Flag
The Painting Techniques of Franz Kline
Franz Kline
Robert Motherwell, Elegy to the Spanish Republic No. 57
"One: Number 31, 1950" by Jackson Pollock, 1950 | MoMA Education
Paint Application Studies of Jackson Pollock's Mural
The Case for Jackson Pollock
The Painting Techniques of Jackson Pollock
Why is that important? Looking at Jackson Pollock
Restoring Rothko
The Painting Techniques of Mark Rothko
Mark Rothko's No. 3/No. 13
Rothko, No. 210/No. 211 (Orange)
The Case For Mark Rothko
Representation and abstraction: Millais's Ophelia and Newman's Vir Heroicus Sublimis
The Painting Techniques of Barnett Newman
Newman's Onement I, 1948
Barnett Newman
How to paint like Willem de Kooning - Part 2
How to paint like Willem de Kooning
Willem de Kooning, Woman, I (from MoMA)
de Kooning, Woman I
Giacometti, Walking Man II
Room: 1960s
The Berlin Wall and industrial England: Don McCullin's conflict photography
Room: 1950s
Barbara Hepworth: Pioneering modern sculpture
Room: Henry Moore
Norman Rockwell, Rosie the Riveter
Calder, Mobile
Hopper, Nighthawks
A Harlem street scene by Jacob Lawrence, Ambulance Call
Jacob Lawrence, The Migration Series (*long version*)
Jacob Lawrence, The Migration Series (*short version*)
Ansel Adams: Visualizing a Photograph
Evans, Subway Passengers, New York City
Grant Wood, George Washington and an enduring American myth (Parson Weems Fable)
Grant Wood, American Gothic
The lure of the American Southwest: E. Martin Hennings, Rabbit Hunt
O'Keeffe, The Lawrence Tree
Strange Worlds, immigration in the early 20th century
When the department store was new: Elizabeth Sparhawk-Jones, The Shoe Shop
Bellows, Pennsylvania Station Excavation
Diego Rivera, Calla Lilly Vendor
Diego Rivera, Man Controller of the Universe
Frida Kahlo, Frieda and Diego Rivera
Giacometti, The Palace at 4am
Dali, Metamorphosis of Narcissus
Dali, The Persistence of Memory
Conservation | René Magritte, "The Portrait," 1935
Magritte, The Treachery of Images (Ceci n’est pas une pipe)
The Case for Surrealism
Room: 1940s
Room: 1930s
A new world after the Russian Revolution: Malevich, Suprematist Composition: White on White
Cartier-Bresson, Behind the Gare St. Lazare
Mondrian, Composition No. II, with Red and Blue
"Composition in Brown and Gray," Piet Mondrian
Brancusi, Bird in Space
Constantin Brancusi, "Mlle Pogany"
Constantin Brancusi, The Kiss
Modigliani, Young Woman in a Shirt
Giorgio de Chirico, "The Anxious Journey"
Troost, House of German Art and the Entartete Kunst exhibition
Schad, Self-Portrait
Dix, Portrait of the Journalist Sylvia von Harden
Sander, Portraits
Umbo, The Roving Reporter
Moholy-Nagy, Climbing the Mast
Moholy-Nagy, Composition A.XX
Moholy-Nagy, EM1, EM2, and EM3 (Telephone Pictures)
Klee, Twittering Machine
Feininger, Cathedral for the Bauhaus
Höch, Cut with the Kitchen Knife Dada Through the Last Weimar Beer-Belly Cultural Epoch of Germany
Hausmann, Spirit of the Age: Mechanical Head
Duchamp, Boite-en-valise (the red box), series F
"3 Standard Stoppages," Marcel Duchamp
Duchamp, Fountain
Art as concept: Duchamp, In Advance of the Broken Arm
Marcel Duchamp, The Large Glass
Room: 1914 & 1915
Duchamp-Villon, Horse
1913 | Schiess-Dusseldorf by Ludwig Hohlwein
Umberto Boccioni, "Dynamism of a Soccer Player"
Robert Delaunay, "Simultaneous Contrasts: Sun and Moon"
Fernand Léger, "Contrast of Forms"
Conservation | Picasso's Guitars
Picasso, Guitar
Pablo Picasso, "Guitar, Glass, and Bottle"
Picasso, Still Life with Chair Caning
Pablo Picasso and the new language of Cubism
Picasso, The Reservoir, Horta de Ebro
Braque, The Viaduct at L'Estaque
Picasso, Les Demoiselles d'Avignon
Pablo Picasso, Gertrude Stein
The Case for Abstraction
Vasily Kandinsky, "Klänge (Sounds)"
Kandinsky, Improvisation 28 (second version), 1912
Schiele, Hermits
Nazi looting: Egon Schiele's Portrait of Wally
Schiele, Seated Male Nude (Self-Portrait)
Jawlensky, Young Girl in a Flowered Hat
Emil Nolde, "Young Couple," 1913
Ernst Ludwig Kirchner, "Street, Berlin"
Kirchner, Street, Dresden
Conserving Henri Matisse's "The Swimming Pool"
Matisse, The illustrated book, “Jazz”
Matisse, Piano Lesson
Matisse, "The Blue Window"
Matisse, The Red Studio
Matisse, Luxe, calme et volupté
Art and context: Monet's Cliff Walk at Pourville and Malevich's White on White
Representation and abstraction: Millais's Ophelia and Newman's Vir Heroicus Sublimi