EE-Learning
The Alchemy of Color and Chemical Change in Medieval Manuscripts
Catogry:
Arts & Humanities
Subject:
Art History
Course:
Special Topics In Art History
Lecture List
Franz Kline
Renoir, The Large Bathers
Mark Hopkins House Side Chair (Herter Brothers)
Pieter Bruegel the Elder, Peasant Wedding
Kasbah Taourirt: Conserving Earthen Heritage in Morocco
Van Dyck's Self-portrait: The Frame and its Conservation
Behind the scenes at the Framing Department | The National Gallery, London
Framing "Christina's World" by Andrew Wyeth
Conserving the Emperors Carpet
William Morris, The Bullerswood Carpet
The Art of Making a Tapestry
An Art of Attraction: The Electrotyping Process
Enamelling
The conservator's eye: a stained glass Adoration of the Magi
Medieval goldsmiths
Roman mold-blown glass
Ancient and Byzantine mosaic materials
Glassmaking technique: free-blown glass
Ancient Greek vase production and the black-figure technique
Making Greek vases
Digital Photography - Photographic Processes Series - Chapter 12 of 12
Color Photography - Photographic Processes Series - Chapter 11 of 12
The Gelatin Silver Process - Photographic Processes Series - Chapter 10 of 12
The Woodburytype - Photographic Processes Series - Chapter 9 of 12
The Pigment Processes - Photographic Processes Series - Chapter 8 of 12
The Platinum Print - Photographic Processes Series - Chapter 7 of 12
The Albumen Print - Photographic Processes Series - Chapter 6 of 12
The Collodion - Photographic Processes Series - Chapter 5 of 12
Talbot's Processes - Photographic Processes Series - Chapter 3 of 12
The Daguerreotype - Photographic Processes Series - Chapter 2 of 12
Before Photography - Photographic Processes Series - Chapter 1 of 12
Seeing Through Photographs
Conserving Henri Matisse's "The Swimming Pool"
Conserving old master drawings: a balancing act
Drawing with charcoal: historical techniques of 19th century France
Making manuscripts
Lithography process
Introduction to lithography
Intaglio process
Introduction to intaglio
Relief process
Introduction to relief printmaking
Introduction to printmaking
Contemporary Art Conservation at Smithsonian's Hirshhorn Museum
Object Conservation - Salisbury Cross
After the Fall: The Conservation of Tullio Lombardo's "Adam"
Making a Spanish polychrome sculpture
Casting bronze: direct lost-wax casting
Casting bronze: indirect lost-wax method
Carving marble with traditional tools
Quarrying and carving marble
Working jade
Art Terms in Action: Viscosity
Art Terms in Action: Tint, Shade, and Tone
Art Terms in Action: Paint
Art Terms in Action: Enamel
Art Terms in Action: Emulsion
Art Terms in Action: Stain
Art Terms in Action: Palette Knife
Art Terms in Action: Turpentine Burn
Investigating Rothko's Technique
How to paint like Willem de Kooning
How to paint like Yayoi Kusama
The Painting Techniques of Franz Kline
The Painting Techniques of Barnett Newman
The Painting Techniques of Mark Rothko
The Painting Techniques of Jackson Pollock
Restoring Rothko
The Science of Van Gogh's Bedrooms
Conserving Van Gogh's "Enclosed Field with Ploughman" Under Raking Light
Conserving Vincent van Gogh's Field with Irises near Arles
Conserving a Korean Buddhist painting: Vulture Peak
Conserving the Virgin of Guadalupe
Conserving Everhard Jabach and His Family
Conserving van Walscapelle's Flowers in a Glass Vase
Conserving Velázquez's Portrait of Philip IV
Jan Gossart - Conservation Discoveries
Conserving a portrait of King Edward VI
Ghent Altarpiece project overview
Conservation of paintings
Almost Invisible: The Cartoon Transfer Process
How to stretch a large canvas
Oil paint in Venice
Oil paint
Gold-ground panel painting
Tempera paint
The Alchemy of Color and Chemical Change in Medieval Manuscripts
Making Green: Tempera versus Oil | National Gallery, London
Making Purple: The Science of Art | National Gallery, London
Scientific research glossary of terms
Conservation: Tools of the Trade
What does a conservator do?
Art Conservation Behind the Scenes
The conservator’s eye: Anselm Kiefer, Bohemia Lies by the Sea
The conservator's eye: Madame Cézanne in the Conservatory
The conservator’s eye: Rembrandt's Aristotle with a Bust of Homer
The conservator's eye: a stained glass Adoration of the Magi
The conservator's eye: Taddeo Gaddi, Saint Julian
The conservator's eye: Marble statue of a wounded warrior
Sotheby's Returns Looted 10th Century Statue to Cambodia
The scourge of looting: trafficking antiquities, from temple to museum
The Looting of Cambodian Antiquities
Voyage to the moai of Rapa Nui (Easter Island)
Diarna: documenting the places of a vanishing Jewish history
Saving Venice
The importance of the archaeological findspot: The Lullingstone Busts
Looting, collecting, and exhibiting: the Bubon bronzes
Palmyra: the modern destruction of an ancient city
Ancient Babylon: excavations, restorations and modern tourism
A Landmark Decision: Penn Station, Grand Central, and the architectural heritage of NYC
Seneca Village: the lost history of African Americans in New York
What the bulldozers left behind: reclaiming Sicán’s past
Unearthing the Aztec past, the destruction of the Templo Mayor
Mesa Verde and the preservation of Ancestral Puebloan heritage
A race against time: manuscripts and digital preservation
Lost History: the terracotta sculpture of Djenné Djenno
Save culture—end trafficking
When there is no archaeological record: Portrait Bust of a Flavian Woman (Fonseca bust)
What is archaeology: understanding the archaeological record
Nazi looting: Egon Schiele's Portrait of Wally
Plunder, war, and the Horses of San Marco
Who owns the Parthenon sculptures?
From tomb to museum: the story of the Sarpedon Krater